John Morales Teddy Pendergrass
The Voice (Remixed With Philly Love)

Mavis Staples has announced 'Live in London,' a new live album recorded over two nights at London’s Union Chapel (which she calls “the best place in the world to sing”) and produced by Staples herself. 'Live in London' reveals that the singer retains astonishing power after seventy years as a performer and that while her repertoire continues to expand her philosophy is unchanged since her days in the groundbreaking family group, the Staple Singers.Ironically her last live record—2008’s ‘Hope at the Hideout’—was cut against the background of her fellow Chicagoan Barack Obama’s historic election, while the new album inevitably addresses the horrors of the Donald Trump era. “No Time for Cryin’“ not only connects the timeless gospel image of “motherless children” to the modern-day refugee crisis, it also calls for action, just as Pops Staples and his children did during the Civil Rights movement.

Mulatu was written by Mulatu, as he says, for himself. This arrangement features Mulatu on his signature instrument the vibraphone and flugelhornist Ian Dixon. Inspired lyrics from Elf Transporter pay respect to the traditional owners of Black Jesus Experience’s hometown.Ambassa Lemdi is an arrangement combining an original song taught to Enushu by her Grandmother with a traditional Ethiopian song. It tells of a mother singing for her daughter’s wedding, welcoming the groom and the joy of uniting their families.Kulun Mankwaleshi is our arrangement of a traditional Ethiopian wedding song in the uniquely Ethiopian anchi-hoye scale. Both polyrhythmic and polymetric sophistication provide the hypnotic foundation for this beautiful melody. Friends and family join the party on backing vocals climaxing with Peter Harper’s mesmeric saxophone solo.Living On Stolen Land is dedicated to the First Nations people of Australia and acknowledges the pain and injustice of their not being recognized as the traditional owners of Australia. This track features guitarist Zac Lister and very special guest Vida Sunshyne. Its moody 6/8 vamp in D is a gateway to channeling the spirits of the land.To Know Without Knowing is a suite in two contrasting movements, both using the same Ethiopian tezita minor scale over an unrelated pedal tone in the bass. It is conceived from, and is a vehicle to, a place beyond thought.Lijay originated from a simple reggae inspired jam. Lij means child in Amharic. Enushu sings of her child being the realization of her dream, and her future. Monk replies with a child’s ode to his mother.Blue Light was written for our dear friend Jeannie, for her journey from this life to the next. Originally written in traditional ballad form, this arrangement morphs to speak of the past, present and future.Mascaram Setaba is an Ethio classic that showcases Mulatu’s study of the familial links between Ethiopian and Latin music. Mascaram Setaba means ‘when September comes’. September being the New Year in Ethiopia this is a celebration of rebirth and new growth. This new arrangement puts the spotlight on legendary jazz pianist Bob Sedergreen.A Chance To Give is a 16 bar blues inspired by the joy of giving, originally conceived while street performing. It features Mulatu on vibes, Peter Harper on sax, MC Elf Transporter, and Robbie Belchamber on guitar.

INFRACom!, one of the longest operating independent labels in Germany, celebrates its 30yrs anniversary with a vinyl compilation consisting of tracks that have never been released on vinyl before.Label co-founder Jan Hagenkötter handpicked these from various artist in the catalog, true to the spirit of the label and its operator – We couldn ́t save the entire planet but we still like to save your soul.The artwork was again designed by Rafael Jimenez Heckmann, a well- known graphic designer from Offenbach. He is responsible for most of the INFRACom! artworks. They have already been awarded several times, e.g. in Lürzers Archiv and others. The artwork unfolds around the INFRACom! logo created by the label co-founder and graphic designer Namé Vaughn, who sadly passed away much too soon.The inlay was designed by the long time friend & well known artist Jim Avignon. In the nineties before Jim went to Berlin and New York to get world famous he lived in Frankfurt for a few years and drew and partied a lot with Jan Hagenkötter & Namé Vaughn...the two DJ ́s, friends and founders of INFRACom! He even contributed a song to the very first INFRACom! production. Since that time they cultivate a lovely friendship and Jim was happy to contribute an... morecreditsreleased September 16, 2022Produced and compiled by: Jan HagenkötterVinyl Mastering at Nektarium TonStudio Mastering Engineer: Gyso HilgerLogo Design: Namé VaughnGrafic Design: Rafael Jiménez HeckmanInlay Artwork: Jim Avignon© + P INFRACom! 2022